Modern gaybars: what they tell me about the bullshit siddhartha said goodbye to

May 6th, 2012 § Leave a Comment

[Flashback: I tapped this into my phone on Feb 6 2009 while out drinking & clubbing in London. I've fixed it for grammar before posting.]

What modern gaybars tell us me about the bullshit siddhartha said goodbye to:

• material perfection is not a remedy for dissatisfaction
• loneliness & craving run rampant in the midst of plenty
• hope & fear manifest very differently when you have no reason to really harbor fear
• all things are impermanent. this too shall pass, and it won’t be all bad

At least in the west, people tend to take for granted that siddartha was right, more accurately righteous, when he walked away from princedom. I think this is partially a defense tactic. By accepting it carte blanche we avoid internalizing the convictions he was actually acting upon.

The potency of the theravadin view lies in acknowledging that the Buddha was born a man. An extraordinary man, a blessed man, but nonetheless a man no different from yourself. Remembering this presses us challenge ourselves, our hopes, our fears, our convictions and our deepest habits.

Tonight I’m sitting in the middle of XXL, also known ad Fat Club. It’s one of London’s hottest gay bars. There have been easily over 1000 people through the doors tonight. All of them gay, all of them men, most of them looking for sex, and all of them understanding the fundamental premise of this place: take what you want, so long as you’re bold enough to do so.

In short, I sit in the midst of a (gay) hedonist paradise. Future nostalgists and those who live under more oppressive constraints will inevitably project special qualities onto scenes like this. Indeed, I did so when I was a fledgeling ‘mo in then-small Minneapolis. Allow me to proclaim, admittedly from a position of privilege, that it’s not all it’s worked up to be.

If anything, this scene feels like a study in the natural unquenchability of pure desire. Here each man stands with his body’s desires mere heartbeats away yet the underlying tone of the place is one of unrest and striving. Those who do quench their craving tonight will return soon. If not here then somewhere else, if not seeking sex then seeking some other satisfaction. Each time life rises to meet our wishes, we either turn to loftier aspirations or we lock onto the experience as an ideal that we will ever seek to regain Either way, the cycle continues.

Hope & Fear

Once upon a time; oft upon a place, a gay man had reason to fear repercussions for seeking fulfilment of his natural impulses. Here & now, that fear would be completely baseless. Nonetheless, hope & fear still dominate nearly every interaction. Why?

This too shall pass. Sometime, some place, the burdens of social conservatism will again descend upon us. I wonder, will it be all bad?

reason to dance: One Note Samba

March 8th, 2012 § Leave a Comment

Ella Fitzgerald One note Samba (scat singing) 1969

I slipped up on the daily posts.  Ah well.  Now they’re just reasons to dance.

daily reason to dance: Home

March 3rd, 2012 § Leave a Comment

Home
Edward Sharpe & The Magnetic Zeroes

Dick Diver and Eddie von Beaverdink from Dykes do Drag do an amazing, heart-touching rendition of this song.  It usually involves exchanges of (used) chewing gum and goofy grins.  There’s something bittersweet about it though.  I think that grit is what gives this song so much heart.

daily reason to dance: Soul Man

March 2nd, 2012 § Leave a Comment

Soul Man
Sam & Dave

daily reason to dance: Baianá

March 1st, 2012 § Leave a Comment

Baianá
Barbatuques

This one’s a bit different.  Listen to this first (better audio) then watch the video to see how they perform it.

I stumbled across this track in 2006 on a mix of samba music in a podcast called Samba do Crioulo Doido.  The podcast didn’t have any information about the tracks and after a few months the podcast didn’t exist any more.  For years, with only the audio to run on, I periodically scoured the web for hints of who had recorded the track.  I played it for audiophile friends and even tried using shazam to recognize it when the app first launched.  No bones.

For obvious reasons, this song is permanently ensconced in my mind’s list of the top 5 most danceable tracks.  When I started assembling the list of reasons to dance, it was one of the first I wrote down, but I wasn’t sure how to share it.  At first, I sliced out the bit from the podcast mix and uploaded it to grooveshark, but then I figured it was worth giving Shazam another try.  After all, their catalog has improved over the years.  I played the track, pointed my phone at it, and to my disbelief some track details came up.  The group is called Barbatuques.  Ah!  After nearly 6 years, I finally knew the name of one of my favorite bands.

 

daily reason to dance: Girl from Ipanema

February 29th, 2012 § Leave a Comment

Girl from Ipanema
Astrud Gilberto

There’s something riveting about her nervous, hesitant composure in this performance.

daily reason to dance: Agua de Beber

February 28th, 2012 § Leave a Comment

Agua de Beber
Quarteto Em Cy

This one will stick in your head for days.

 

daily reason to dance: Chica Chica Boom Chic

February 27th, 2012 § Leave a Comment

Chica Chica Boom Chic
Carmen Miranda

I’m gonna riff on a Brazilian theme for a little while.

Bonus:

“Some people say I dress too gay, but everyday I feel so gay and when I’m gay I dress that way.”

I also love the giant banana dance.

Zombie Flick without the Zombies: Guthrie’s New Production of The Birds

February 26th, 2012 § Leave a Comment

Take a contemporary, character-driven psychological thriller zombie flick where all of the characters have taken refuge in a remote farm house.  Remove all guts, gore, and zombies, add the sound of birds attacking.  Translate that to stage and you have the Guthrie’s new production of Conor McPherson’s adaptation of The Birds.

During last night’s preview the pace of the play was achingly slow at points but I’m sure they’ll tighten that up by opening night.  Over all, it was a very nice evening.

The most remarkable thing: the set is amazing, with wonderful attention to detail.  The most annoying thing: to make the sound of birds attacking windows and doors, they had a person kicking/pounding on the door.  That sound would be impossible for a bird to make (besides possibly Big Bird).  At first it left me wondering “Who’s outside? Maybe there really are zombies.” then it just became a nuisance.

We Theoroi had conversations with Sound Designer Scott Edwards and Assistant Director Amanda Friou before the show, which was a good way to prepare for seeing the first preview of a new play.  Edwards was quietly casual but got everyone riled up when he started talking about why he loves working in live theater what it’s like to work as a sound designer.  Friou did a great job of explaining all the work that had led up to the evenings performance and how many people it takes to put on a production like this.

After the show, we debriefed in the Guthrie’s Kitchak Lounge over wine and snacks.  Not surprising, it’s possible to get a lot more out of a play when you have 25 people to unpack the show with afterwords.  There were many very cool angles on the characters and the plot that I simply wouldn’t have noticed if others hadn’t pointed them out.

After the after party, a handful of us retired to Zen Box Izakaya on Washington.  I was delighted!  Finally a place to get Takoyaki in Minneapolis! And they’re open late! And the Takoyaki is really good!

daily reason to dance: Blitzkrieg Bop

February 26th, 2012 § Leave a Comment

Blitzkrieg Bop
Ramones

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