reason to dance: One Note Samba
March 8th, 2012 § Leave a Comment
Ella Fitzgerald One note Samba (scat singing) 1969
I slipped up on the daily posts. Ah well. Now they’re just reasons to dance.
daily reason to dance: Home
March 3rd, 2012 § Leave a Comment
Home
Edward Sharpe & The Magnetic Zeroes
Dick Diver and Eddie von Beaverdink from Dykes do Drag do an amazing, heart-touching rendition of this song. It usually involves exchanges of (used) chewing gum and goofy grins. There’s something bittersweet about it though. I think that grit is what gives this song so much heart.
daily reason to dance: Baianá
March 1st, 2012 § Leave a Comment
Baianá
Barbatuques
This one’s a bit different. Listen to this first (better audio) then watch the video to see how they perform it.
I stumbled across this track in 2006 on a mix of samba music in a podcast called Samba do Crioulo Doido. The podcast didn’t have any information about the tracks and after a few months the podcast didn’t exist any more. For years, with only the audio to run on, I periodically scoured the web for hints of who had recorded the track. I played it for audiophile friends and even tried using shazam to recognize it when the app first launched. No bones.
For obvious reasons, this song is permanently ensconced in my mind’s list of the top 5 most danceable tracks. When I started assembling the list of reasons to dance, it was one of the first I wrote down, but I wasn’t sure how to share it. At first, I sliced out the bit from the podcast mix and uploaded it to grooveshark, but then I figured it was worth giving Shazam another try. After all, their catalog has improved over the years. I played the track, pointed my phone at it, and to my disbelief some track details came up. The group is called Barbatuques. Ah! After nearly 6 years, I finally knew the name of one of my favorite bands.
daily reason to dance: Girl from Ipanema
February 29th, 2012 § Leave a Comment
Girl from Ipanema
Astrud Gilberto
There’s something riveting about her nervous, hesitant composure in this performance.
daily reason to dance: Agua de Beber
February 28th, 2012 § Leave a Comment
Agua de Beber
Quarteto Em Cy
This one will stick in your head for days.
daily reason to dance: Chica Chica Boom Chic
February 27th, 2012 § Leave a Comment
Chica Chica Boom Chic
Carmen Miranda
I’m gonna riff on a Brazilian theme for a little while.
Bonus:
“Some people say I dress too gay, but everyday I feel so gay and when I’m gay I dress that way.”
I also love the giant banana dance.
Zombie Flick without the Zombies: Guthrie’s New Production of The Birds
February 26th, 2012 § Leave a Comment
Take a contemporary, character-driven psychological thriller zombie flick where all of the characters have taken refuge in a remote farm house. Remove all guts, gore, and zombies, add the sound of birds attacking. Translate that to stage and you have the Guthrie’s new production of Conor McPherson’s adaptation of The Birds.
During last night’s preview the pace of the play was achingly slow at points but I’m sure they’ll tighten that up by opening night. Over all, it was a very nice evening.
The most remarkable thing: the set is amazing, with wonderful attention to detail. The most annoying thing: to make the sound of birds attacking windows and doors, they had a person kicking/pounding on the door. That sound would be impossible for a bird to make (besides possibly Big Bird). At first it left me wondering “Who’s outside? Maybe there really are zombies.” then it just became a nuisance.
We Theoroi had conversations with Sound Designer Scott Edwards and Assistant Director Amanda Friou before the show, which was a good way to prepare for seeing the first preview of a new play. Edwards was quietly casual but got everyone riled up when he started talking about why he loves working in live theater what it’s like to work as a sound designer. Friou did a great job of explaining all the work that had led up to the evenings performance and how many people it takes to put on a production like this.
After the show, we debriefed in the Guthrie’s Kitchak Lounge over wine and snacks. Not surprising, it’s possible to get a lot more out of a play when you have 25 people to unpack the show with afterwords. There were many very cool angles on the characters and the plot that I simply wouldn’t have noticed if others hadn’t pointed them out.
After the after party, a handful of us retired to Zen Box Izakaya on Washington. I was delighted! Finally a place to get Takoyaki in Minneapolis! And they’re open late! And the Takoyaki is really good!